The glass woman by Caroline Lea

Iceland. 17th century. After the death of her father, Rosa has to make a good marriage to help her impoverished mother. When the stranger Jon comes to her village looking for a new wife, only a few months after the death of his first spouse Anna, Rosa agrees to the marriage. After a three-day-ride to her new home, Rosa discovers the villagers are afraid of Jon and that there’s some mystery around Anna’s death. Why did Jon burry her on his own in the middle of the night? And what are the strange noises coming from the loft, that Rosa is forbidden to enter?

Nearing the end of year, I think I can say that this novel will be one of my favorite reads of 2020. The glass woman is a gothic romance novel reminiscent of Rebecca and Jane Eyre. It’s about a young woman that marries an older widower she barely knows anything about. Once married, he seems to hide a lot from her, not in the least the true fate of her predecessor. It all sounds very familiar.

But Lea writes her own gothic story in a unique setting. The hardships of Iceland, a rough and cold land. A country where religion is rising, but people still believe in the old myths and sagas.

Rosa is her own woman and has a strong character. I admire her strength. But she’s not perfect and makes mistakes. And that’s maybe what I loved the most about this book: all the characters are extremely human.

Until halfway the tension is built. You can’t trust anyone and have no clue what the hell is going on. It surprised me that the story took a turn when you get to read from Jon’s perspective. Suddenly you start seeing things in a different light. I couldn’t stop reading until I reached the end.

I loved the ending. It was fulfilling in a way that all my questions were answered. The glass woman is highly recommended for everyone who loves a gothic story or just wants to try something different.

Rating: 5 out of 5.

The confessions of Frannie Langton by Sara Collins

Frannie Langton is a mulatta slave at the Paradise plantation of Mr. Langton in Jamaica. As a mulatta and a house slave she doesn’t fit in, especially as she has learnt to read and write. When Mr. Langton wants to write a book about species, Frannie helps him with it and the two of them conduct some strange experiments. After a fire, Langton and Frannie leave Jamaica for London. Once there, he gives Frannie away to Mr Benham and she becomes a house slave again. She can’t remember anything when a few months later her mistress, whom she loves dearly, is found dead with herself sleeping beside the body. In jail, Frannie decides to write her story as it may be the only way to save her life.

I picked this book up at the library when looking for Bridget Collins’ ‘The binding’. Lured in by the beautiful cover and the promise of an original gothic novel, I immediately started reading it.

The story opens in London with Frannie in jail for the brutal murder of her owners, Mr. and Mrs. Benham. She can’t remember anything of that night and doesn’t believe she would be able to murder her mistress whom she loved with all her heart. So she starts writing her story from the beginning, when she was still a house slave at a Jamaican plantation.

I had expected much of this story, but it didn’t live up to my expectations. The story does have some gothic elements such as a murder, a household with secrets and some strange experiments, but I wouldn’t define it as the gothic novel I had hoped it would be.

The story itself is interesting enough, although I got the impression of having it read all before. There are a lot of predictable plot elements and some cliches. Frannie is a complex character and you don’t really get a grip on her.

What really put me off was the writing style. Collins writes in first person but it wasn’t always clear whether something was said in a dialogue or it were just thoughts of Frannie herself. I couldn’t follow what was said and done in some chapters. And especially when the trial begins, it all becomes a mess. Frannie appeals to a certain ‘you’, with which she means her lawyer and this strangely changes the whole narrative and style. There are some revelations at the end, but they couldn’t make up for the rest of the novel.

I must give Sara Collins credit for writing some beautiful lines about the importance of reading. The fact that Frannie has learned to read and can share that knowledge with Marguerite is an important aspect of the story. It makes her even more the outcast.

But in the end, I’m disappointed by this book. Yes, it has an original main character and it talks about slavery and racial debate, so in that sense it’s an important story to tell. But I couldn’t see past the messy writing style and had hoped that the crime aspect would take up a more prominent role in the book.

Rating: 2.5 out of 5.

What’s your favorite gothic novel?