When Flora Chapman’s husband Edward, one of the town’s most popular men, suddenly dies during a balloon flight, she doesn’t seem to grieve. Flora has always been a plain woman who lived in the shadow of her perfect husband. Between the notes on his desk, she finds an unfinished history project on the manor where they live that leads to Anne Of Cleves. Huscott manor was one of her residences after her divorce from Henry VIII. Flora decides to travel to Paris on her own to visit Anna’s portrait in the Louvre.
I had hoped this book to be an entertaining dual time frame novel. But actually it’s not. The story focuses on Flora who recently became a widow and by accident takes a large interest in the life of Anne Of Cleves. At Huscott manor her husband had found a stone with her date of death carved into it. But no one knows who left this mark 40 years after Anna’s death and why. She decides to leave for Paris to see Anna’s famous Holbein portrait in the Louvre to see for herself if she really was a Flanders’ mare.
There’s a second perspective of Anna her portrait. Yes, at night she awakes and tells her story to other portraits, such as Elizabeth I and Mary De Guise. It says a lot about this book if I tell you that Anna’s perspective was the most interesting part of this book. Too bad, the author didn’t choose for a real 16th century perspective of Anne Of Cleves. The whole portrait thing was a bit too far fetched for my tastes.
The problem with this book is that although Flora is a witty main character, I just didn’t seem to care about her life and problems. I cared even less about all the people in the town. I did find the parallels between Flora’s life and Anna’s not at all that big. And at times Flora and the other characters behaved as toddlers. Flora desperately wants the town’s solicitor to like her and tries to achieve this by out-arguing a museum guide. Her daughter Hilary isn’t any better as she dotes on her deceased father and needs to put him on a display in every sentence she says.
The other thing that really bothered me was the fact that the story tries to contradict the fact that Anne was plain and ugly. That she wasn’t a Flanders’ mare. While at the time some other historical women such as Catherine Parr and Jane Seymour are being called ‘a nursemaid’ and ‘dull’. I’m fine with a bit of feminism, but I don’t like one-sided feminism.
This book is more about the grief of a woman who lived in her husband’s shadow and now tries to find her own place in the sunlight than a historical book. If you love chick-lit or a light novel and you don’t know a lot about The Tudors this book might be something for you. If you’re a history lover like me, I suggest you look elsewhere.
What’s your favorite dual time frame novel?
One thought on “Amenable women by Mavis Cheek”
Sorry this was disappointing. I don’t think I would like it either. The portrait perspective sounds interesting, but yes, too far-fetched!